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” Sur scène, quand nous les adultes sommes en face des enfants ...

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News

August 23-27th - rehearsals in Lyon of the "Ogres" in its European variations 

  • 56 articles (fr)
  • 25 articles (en)
  • 10 articles (cs)
  • 10 articles (sv)

Blog

In 27 years of artistic search and theatrical creation, Image Aiguë came across teenagers, children, professional artists, accompanying adults and cultural protagonists. At each stage, encounters are different and let bloom new stories. Stories that are shared on stage, using souvenirs and travel notes, in order to crystallise the ephemeral…

Giacinto !

Giacinto, 18, our favourite Sicilian, is a charming young man fond of theatre and very thoughtful. An attitude that moves by his polite, humanistic nature, and the bright eye he turns on the world.

“Tireless spectator”

Pascal Bély, founder of the writing space “Le Tadorne”, has just published is poetical view of “Les Ogres”.

This blog is conceived to show on the web both the words expressed by the spectators and the meshing between artists, audiences and institutions in a different way than the usual context of vertical relations particular to them.


See the French version of this article

About ogres and other insatiable people, Part two

An interview conducted by Manuel Piolat-Soleymat with Christiane Véricel about his new creation "The Ogre".


In your performances, you try not to fall into manichaeism or didactics.

About ogres and other insatiable people

An interview conducted by Manuel Piolat-Soleymat with Christiane Véricel about his new creation "The Ogre".



"In the distribution of your new performance, there are children coming from the district of la Saulaie in Oullins..."

Ici là-bas en croquis

Notre rencontre avec Karin Segolson à Stockholm s’inscrit parfaitement dans notre volonté depuis toujours de croiser plusieurs expressions artistiques ( musique, peinture, arts plastiques).

Karin par le dessin, a saisi sur le papier des instants du spectacle de la version Suédoise d’Ici là-bas. Ces travaux prolongent ainsi le sens de notre travail théâtral passant outre le barrage de la langue.